PARADOXES OF G.B. SHAW AND G.K. CHESTERTON AS A MEANS OF SOCIAL VICE EXPOSURE
DOI:
https://doi.org/10.30889/2523-4692.2018-06-03-051Keywords:
paradox, doxa, antithesis, rhetorical paradox, metaphysical paradox, Victorian ageAbstract
The article examines the peculiarities of paradox implementation in British literature. The beginning of the 20th century is characterized by critical response of many artists towards the crisis of Victorian outlook and morality, which was realized througMetrics
References
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References:
Chesterton, G.K. Orthodoxy. Available at http://www.gutenberg.org/cache/epub/130/pg130-images.html (Accessed 26 November 2018)
Chesterton, G.K.(2008) The Paradoxes of Mr Pond. House of Stratus.
Denis, Y. (1978) G.K. Chesterton: paradoxe et catholicisme. Belles Lettres.
Evans, T.F. (ed.) (1976) G.B. Shaw: the Critical Heritage. London: Routledge.
Evans, T.F. (1998) ‘The later Shaw’, in Innes, Ch. (ed.) The Cambridge Companion to George Bernard Shaw. Cambridge: Cambridge University Press, pp. 240‒258.
Ffinch, M. (1987) G.K. Chesterton. Harper & Row.
Furlong, W.B. (1970) GBS / GKC: Shaw and Chesterton, the metaphysical jesters. Pennsylvania State University Press.
Kenner, H. (1947) Paradox in Chesterton. Sheed & Ward.
Nichols, A. (2009) G.K. Chesterton, Theologian. Sophia Institute Press.
Shaw, G.B. Candida. Available at https://www.gutenberg.org/files/4023/4023-h/4023-h.htm (Accessed 24 November 2018)
Shaw, G.B. Man of Destiny. Available at https://www.gutenberg.org/files/4023/4023-h/4024-h.htm (Accessed 28November 2018)
